Wednesday, 11 March 2009

viral marketing example 6

http://usa.theviralfactory.com/



how we met

processes

this video was entirley created by stopmotion animation. the artist has drawn a charatcer on his body then photographed it then rubbed it out, the artist has then continued with this process untill he has got all the photos need for the video. the photos hav then been put together and played at 24 fps to make it look as smooth and real as possible.

viral marketing example 5

http://usa.theviralfactory.com/



bird

processes

this is another video that uses all the normal processes for video production

  • video capture
  • sound capture

but this is also another video that incorporates cgi. the pigeon and the car at the half way point of the vidoe are computer genteerated to make it look like the car has killed the pigeon.

viral marketing example 3

http://usa.theviralfactory.com/



reveng

processes

this video has the usual processes that coinscide with video production

  • video capture
  • audio capture

but also this video incorporates cgi in the form of the soldier that burst through the door.

viral marketing example 2

http://usa.theviralfactory.com/





finger skillz



processes

this peice uses the usal processes of making a film .




  • vido capture

the artist has recorded a persons hand simply playing football but incorporating skills into the video.

viral marketing example 1

http://usa.theviralfactory.com/



samsung lions

processes

this video uses the main procces that are used to capture film
  • video capture
  • sound capture

but along side these also uses cgi and lip syncranisation

cgi has been used to create the deer in the midle of the gathering of the lion and also to make the lions look as if they are singing.

lip sync has been used to make the lions and deer look like they are singing intime to the music that backs the video.

19th century example 1

The battle of trafalgar
J.M.W. Turner


media

  • oil paints

processes

  • oil painted on canvas


Tuesday, 10 March 2009





media


  • photoshop

  • illustrator

processes

this piece most likely started as just a photo, this then was manipulated in photoshop using filters and other tools. this piece contains no stroke or lines to seperate the different pieces of the composition. this piece is very smooth but it has to be smooth to make the image look realistic to the audience. this piece makes great use of tone too add depth to the facial area, this depth makes the main facial features stand out. the colour on the glasses are brighter than the rest of the composition almost making the them the focal point of this piece.



in my opinion i think this piece relates to romaniticism. Romanticism is a complex artistic, literary and intellectual movement that origonated in the first half of the 18th centuary in western europe.
http://www.dailymotion.com/search/lemon+jelly/video/x2zded_lemon-jelly-nice-weather-for-ducks_music



media


  • flash

  • premiere pro

processes


this video was created for lemon jelly by the airsyde the the creators of insyde

this video's use of shape is simplistic and minamilistic. airsyde have made good use of colour to make this piece colourfull bright to catch the audience's attention. this video uses a lot of patterns to sillouhette the surrounding environment.

Thursday, 5 March 2009

interactive art

http://www.dailymotion.com/search/airside/video/xguqv_nature-elegy-by-airside_music



materials used




  • flash

  • lights

  • projector

  • screen
  • Camera

this extract is from a piece of interactive art called Insyde produced by a well know studio called Airside. It encorages the audience to interact by using a series of flash animation on a loop activated by one or more persons stepping in to a designated area.


interactive art

http://homepage.mac.com/davidrokeby/vns.html

this video shows the artist David rokeby and his installation called V.N.S(very nervous system).
the purpose of this piece is quite clear, it is a piece of interactive art that creates music to movement in realtime using cameras and computers that were avalible at the time of it creation.

unit 5 contextual influences piece one

Artist: Patrick Aulleto

materials used


  • illustrator

processes


in order to create the basis for this compostion the artist has first created a sketch of the piece desired to be digitised. This sketch has then placed into a vector formatted piece of software such as illustrator. In order to fully digitise this piece some pen tooling is required to trace the outline of the objects within the piece. the said objects are then required to be filled with swatches from the colour pallete and tranparency set to a medium translucentcy. The sketch layer is then set to hidden and you are left with the basic shapes and outlines to the composition, the artist has made it essential to have a stroke on evey item giving them depth allowing the audience to distinguish one item from another.

To add more depth the artist makes good use of the filters availible by adding a gausien blur to the newly created flames layer, this gives the layer a stlyised feel. Adding contrasting tones and abstract shapes invites more complexity to the composition adding even further depth and intrest to the piece, furthermore the artist is applying said effects to the background but also the fore ground to intensify the depth further. the artist has decided to make use of the polygon tool for the desired sky feel, this is then complimented by yet another gaussien blur to add more depth. To further arouse the intrest of the audience the atist has added drama to the skyline of this composition by taking advantage of the twirl option in the liquify tool.

To make the skyline less dramatic but still noticable the artist has decided to set the blening mode of the the layer to multiply adding an almost silhouetted feel to the skyline. In order to continue with the theme of adding contrast and depth to the composition the artist has added white highlights to make the liquid more glossy and fluid. the artist has now moved on to model the wings and bottles in the composition in the process of this, the artist has incorporated custom brush strokes creating texture and more intrest in this area of the composition. The artist has now focused his attention to producing the bottles along the way the artist has added dark and medium tones to the wings and bottles as he saw fit. Now, the composition is nerly compleat but to add further reralism to the bottle in the foreground the artist has added a transparent purple fill in a desired area of the bottle creating the look of liquid within the bottle.

Finally to finnish the artist turns to producing the skull heads attached to the bottles. Adding highlights to the object takes a considerable amount of collaberation due to the direction you wish for the ligh to fall. To compliment the highlights,the artist has added complimentary transparent fills within the viscinity of the highlights.